‘Abbott Elementary,’ Best Show of the Year

 

Abbott Elementary season two advertisement.

“Janine— as teachers at a school like Abbott, we have to be able to do it all. We are admin. We are social workers. We are therapists. We are second parents. Hell, sometimes we’re even first. Why? It sho ain’t the money.”— Barbara Howard, kindergarten teacher brilliantly played by Sheryl Lee Ralph.

Abbott Elementary is the binge-worthy mockumentary comedy we have been waiting forever on. Every episode has moments delivers laughter and tears thanks to commendable writing and superb acting. 

Everyone had to have a teacher (or principal) that dressed like Janine (Quinta Brunson). Thanks to series costume designer Susan Michalek for crafting that reality. 

The environment at Abbott is not always perfect. They struggle on with old books and limited equipment: expected results of the dwindling public school system that has hurt and hindered a lot of us. The determined Janine Teagues, a too-delightful, competitive spirited second grade teacher, tries to make it as fun and exhilarating as possible. Barbara Howard, the warm, soothing kindergarten teacher with a mean bite and her best bud Melissa Schemetti, the other second grade teacher (and often Janine’s playful nemesis), often side against Janine. Thankfully, Janine does have friends in eighth grade teacher Jacob Hill and newcomer Gregory Eddy, a tight circle that nudges our perky, thrifty fashioned girl in the right direction. 

Jacob, the white do-gooder who traveled throughout Africa, may seem an ill fit to this tight team due to his lengthy rants and desire to be more proactive in civil rights. He often adds the amped up fuel to Janine’s well-meaning schemes, showing to be one of her biggest supporters/allies. Also boyfriend Zac, a lover of sneakers just like Jacob, is simply amazing— funny, gifted vocalist, awesome one-liner delivery! Although Jacob has a hard time zipping his lip, he does sprout insight every once in a while. 

The polar opposite of Janine, Principal Ava (Janelle James) is an iconic fashionista with a style that steals the show episode after episode. 

Principal Ava Coleman, however, operates on various noticeable fronts. In the beginning, she seemed too invested in promoting her image, mainly on social media tools like Tik Tok and Poshmark, building her brand versus helping Abbott in any structural way. She even used emergency funds to have a billboard of her stylish self posted in front of the school and buy new wavy hair instead of purchasing desperately needed rugs for the classrooms. Heck, her green screen office is the primary spot to take incredible videos and seller pictures of her brand name merchandise. She even has her own gaudy bathroom installed in the school basement. Yet, Ava has also taken extreme action under circumstances that would overwhelm even the strongest person. She managed to give a compelling speech on being principal in front of the very person she blackmailed to get the job. She successfully substituted sick Janine’s class— funny considering that Gregory, the former substitute fit for the principal role advised Ava on the importance of using Janine’s folder and that Janine is out because Ava left her sandwich out in the window. Who could forget Ava transforming Janine into the Black Marilyn Monroe (or Dorothy Dandridge) for a Halloween party or giving Janine a lift to another club job with her friends during holiday break? 

When Janine (Quinta Brunson) encouraged Gregory (Tyler James Williams) to add personality to his bare classroom walls, it seemed an open metaphor to shift beyond substitution, for permanence, to make a lasting effort on both the students and perhaps Janine’s heart. 

Janine and Gregory’s potential has been simmering from their very first meeting. Janine—the girl next door— frequently visits Gregory’s nearby classroom and vice versa for either old-fashioned good advice or polite small talk riddled in cartoon hearts. Although not usually a big fan of TV office romances (this Collider article is a good one), something about these two makes it impossible not to root for them going the distance. They share common ground. Gregory, a Black man with an overbearing military father, shares his vulnerabilities to Janine, who has an absent mother and an inner lonely girl syndrome beneath her exterior bubbliness and “toxic positivity.” Yet, Gregory knows every facet about Janine, which makes them all the more endearing, considering that most men fail to pay attention and care. Unlike Janine’s selfish, narcissistic, first and so-far only boyfriend Tarik, Gregory knew her favorite film was Jumanji, noticed her hair parted on the other side, and rescued her from countless mishaps on many occasions. While the advantageous Tarik had a kid spirit about him feeding into Janine’s childlike disposition, Gregory has a mature, sensible vibe that would definitely aide in ensuring Janine’s growth. Janine and Gregory provide an alluring adventure, that’s for certain. Maybe, just maybe too, in the future, Gregory may join his father’s landscape company after all and Janine can remain Abbott’s Most Affectionate Second Grade Teacher. 

In addition to phenomenal writing (thanks to a very inclusive staff) and impeccable direction, Abbott Elementary must be applauded for showcasing diverse body types. There’s still an over abundance of thinness and whiteness celebrated and awarded in both television and film industry. Thus, it is a nice change to see tall and short, curvy and robust figures in leading and supporting roles— a beautiful reflection of the world we actually live in. It’s even noticeable with the interesting side characters— Zac, Jacob’s bespectacled boyfriend, Janine’s new friend Erika (played by Courtney Taylor recently Issa’s assistant on Insecure), and Ashley, Melissa’s annoyingly tone-death assistant.  

Abbott Elementary cast at the Golden Globes, winning for Best Actress in a Comedy Series for Quinta Brunson, Best Supporting Actor in a Comedy Series for Tyler James Williams, and Best Comedy Series.

The excellent cast is led by its infectious dimpled creator Quinta Brunson— second Black woman (after Lena Waithe) to win an Emmy for Outstanding Writing in a Comedy Series. Fellow Emmy winner Sheryl Lee Ralph— always a charming, warm spirit— delights as church praising Barbara, who often funnily confuses white and Black actors and wears the best red lipsticks. Tyler James Williams—a versatile talent who ranges from comedic chops on Everybody Hates Chris to drama/horror in Dear White People and The Walking Dead (his death scene remains one of the most gruesome)— shines bright as Gregory, the former ambitious principal turned near-reluctant teacher harboring a sweet crush on Janine. Comedian Janelle James brings infinite laughter as a slacking, multitasking yet on occasion wise Principal Ava, Lisa Ann Walters is the tough, sassy South Philly raised Melissa who has “fix-it” people on speed dial, Chris Perfetti plays the corny, overly talkative, well-meaning eighth grade teacher Jacob, and William Bradford Davis effortlessly plays the thoughtful janitor-of-all-trades Mr. Johnson. Every single person puts in work on this impressive ensemble, making a school setting feel authentically homey, hence why Abbott Elementary has received nominations and awards from the Black Reel, Emmys, Gotham, Independent Spirit, Golden Globes, the Writers Guild Association (WGA), the Producers Guild Association (PGA), the NAACP Image Awards, etc. It is an incredible feat—a long time coming actually— to see a Black woman creator deservedly honored and thoroughly loved by Hollywood sailing behind on the tidal wave of Yvette Lee Bowser, Mara Brock Akil, Shonda Rimes, Ava DuVernay, Hanelle Culpepper, Michaela Coel, and Issa Rae.

With its third season renewal from ABC and half the second season left before summer hiatus in the spring, the wonders of Abbott Elementary never cease.

Best TV Couple #9: Rochelle Tingman and Julius Rock

Rochelle (Tichina Arnold) and Julius (Terry Crews) were an honest depiction of how black children were raised if both parents stayed together. 

The ghetto is no place to raise children.

In 1982, Julius and Rochelle Rock move to a large house in Bedstuy Brooklyn-- not necessarily a luxury suite, but it beats the projects (or in Chris's words "government experimentation"). Julius takes in the cost of every last thing including wasted food. Rochelle often boasts of him having two jobs. In addition to happiness for what he has given her and the children, what his sacrifice has allotted them (sleep included), she is obviously proud of his efforts.

Julius and Rochelle may have their spats. In the end, they always make an effort to compromise.

Julius and Rochelle were the heart and soul, the foundation of Everybody Hates Chris. They have a partnership that is all too familiar, like something seen from ordinary, everyday experience. Rochelle's reactions are over the top exaggerations whereas Julius is a calmer rationale. He rarely raises his voice even as she can scream and holler with the best of them.

During the time of drugs implanted into communities and high crime rate, Julius and Rochelle cared about each other and their children, of being present in all steps of their lives, not allowing any negative interference to stand in the way. Sure, the children were tempted, lured by finicky desires of childhood wants. Julius and Rochelle, however, provided a nurturing environment inside the home. While unable to protect from outside forces, Julius and Rochelle instilled positive values and showed a healthy, balanced love. In the black community, a black father that wasn't absent and a black mother that showed interest changed black family media perception.

We cannot dismiss the violence (belt whoopings and such), but the affection and care lingered in every scene.

The important thing too is Julius and Rochelle's relationship-- their romance.

Julius didn't have to think twice-- much less look at Rochelle's wig cap.

Sure, Julius doesn't buy Rochelle sentimental Hallmark cards (instead keeping a box of many cards bought at a flat rate underneath the bed ) or take her out to fine dining. The wealth of romance lies in the little details, the true acts that matter most. In fact, it is a more believable, more impactful authenticity of real life struggles-- raising three children, keeping bills paid on time, making sure food is stocked, and staying married. For example, in episode one, season five's "Everybody Hates Fat Mikes," Julius's work is on strike and he stays home. Once the children compliment him on his good meals and housecleaning skills, Rochelle feels useless. To make her happy, Julius gets the children to mess up the house. Or in season one episode seventeen's"Everybody Hates Funerals," Julius doesn't get between Rochelle and her overly critical mother. After she releases her pent up frustration, having been sad and miserable over her father's death, he comes into the room with her favorite addiction.

Julius brings Rochelle her beloved Turtles (chocolate covered peanut caramel cluster things).

She reveals her first delight since her father unexpectedly passed away. So adorable.

Everybody Hates Chris deserved more than 4 seasons. Its abrupt departure took away a solid, humorous show with two talented actors as loving, committed parental units. Underrated (and under-rewarded) Terry Crews and Tichina Arnold bounced off each other in a realistic sensibility, yin to yang. Rochelle's defensive attitude can be dismissed as aggressive and stereotypical, but Arnold gives Rochelle's sassy feistiness and comforting warmth, embodying truly believable portrait of a mother and wife supporting home and family. Meanwhile, Crews (seen mostly as over masculine in other roles) has a nice change of pace as an attentive father, hardworking breadwinner, and thoughtful husband.

Without Arnold and Crews, Everybody Hates Chris certainly would have been lacking heartfelt genuineness to Julius and Rochelle.