A Quiet, Symbolic ‘Grace’ Goes Against The Grains Of Sanctimonious South

Grace film poster.

Grace—the latest coming-of-age effort after writer/director Natalie Jasmine Harris’s debutante short film, Pure—adds another effective gem to a promising filmmaking oeuvre. 

Grace (Jordan Wells) embodies her name in every way. DP: Tehillah De Castro.

As a carefree, ordinary girl named Grace approaches her milestone birthday and upcoming baptism, she succumbs to the joyful pleasures of youth alongside her sister and Louise, a childhood friend. The charisma between the triad presents a natural friendship depiction. The lines of love are drawn in its unadulterated forms— affectionate sibling biology and the kindred camaraderie. What happens when those invisible lines are unexpectedly blurred? Can an innocent heart stay ruled by a strict upbringing or will it surpass the safe, platonic road? 

Big Mama’s teachings on the Deep South stage heightens Grace’s burgeoning sexuality dilemma. It’s where the unsettling righteousness bellows beneath the exterior of precious girlhood. Between the delightful smiles and the singsong handclap games, the devout undertones disturb the humble peace. 

Louise (Alexis Cofield) stands on the porch, smiling down on Grace (Jordan Wells) and her sister (Mikayla Lashae Bartholomew). DP: Tehillah De Castro.

Among the pastel colored walls and the elegant white curtains parted on large, charming windows, Grace feels the pressure to be good, to follow Big Mama’s respectable example. Inside the American Gothic styled house, intentional cross patterns are repeated cues upholding the Bible structure. Although no men occupy this makeshift Black feminine utopia, an ominous presence operates as a patriarchal beacon, the judgment ensuring that all young girls must eventually submit to their duties as wives, to suppress any other “unlawful” inklings. 

Moreover, Grace’s baptism will bring the ultimate test. 

Grace and Louise strike a cord. DP: Tehillah De Castro. 

In the trajectory of Juliana Kasumu’s Losing Joy, Allie Morgan’s Sisters, Mz Roth’s code switch, Harris’s Pure, and many other Black sapphic films eloquently helmed by Black filmmakers, Grace sheds profound light on soft queer films highlighting multifaceted experiences. These brave creators are not rehashing the same, copy/paste narratives that we’re accustomed to seeing in regards to how Black women, girls, and femmes are portrayed. 

By centralizing blackness through an authentic lens, the characters must battle the fights (both internal and external) that come with the global impact of the dominant heterosexual landscape. These are the directors that deserve to invent original stories and adapt the inherent literature (Alice Walker, Toni Morrison, Maya Angelou, Gloria Gaynor, Paule Marshall…) for us to devour, to engage. Since their films asks and answers questions long raised in Black community, they need our support the most. 

The most metaphorical shot in the film. DP: Tehillah De Castro.

A straightened haired Grace rejects Louise. DP: Tehillah De Castro.

After premiering earlier this year at the Sundance Film Festival, Grace has been shown around various other film festivals such as Inside Out Toronto, Newfest Pride, and the upcoming Frameline and BlackStar Film Festival. Grace —a word meaning simple elegance— is a must see for embracing its definition beyond the leading character. Every element (small or large) enriches the layered, impactful narrative: tightly knitted frames containing vital symmetries and subtle performances by a talented cast led by its director, some period costumes (which Harris designed) call to mind Julie Dash’s Daughters of the Dust— the white dresses nodding to the film’s costume designer Arline Burks Gant, and the house right down to the object placements, an appropriate foundation for stern religious order. 

Overall, Grace is cinematic magic without spells being cast onscreen. While the visual feast thoughtfully conveys a Black girl grappling with her awakened identity, its story teaches the notion that being true to oneself is more so a blessing than a sin to be cleansed away. 

Saturday Soapy Flashback: NAACP Image Award For Outstanding Acting in a Daytime Drama

If Victoria Rowell aka The Young and the Restless’s Drucilla Barber was nominated, the other soap opera actress nominees had no chance against her at the NAACP Image Awards. She played the role on/off from 1990-2007.

Last night, the 51st Daytime Emmys aired, the last sole honor for talented soap opera actors to grasp an accolade for their proficient ability to act out three-hundred page scripts on the daily. Some are very, very good at it. Others are obvious models who believe they have what it takes beyond looking beautiful. Unfortunately, actors of color— rarely preferred over the predominantly white nominees— felt a disappointing absence when the NAACP Image Awards stopped awarding the Outstanding Actor and Outstanding Actress in a Daytime Drama Series in 2015. The category was introduced post-Generations in January 1994– with The Young and the Restless’s Victoria Rowell and the late Kristoff St. John not having competition for the first two years of its inception. 

The Young and the Restless has eighteen wins out of twenty-one victories for actors and nineteen of twenty-two for actresses. No male actor was nominated in 1995. 

Years after One Life to Live’s Al Freeman Jr. won the first ever acting Daytime Emmy Award for a Black actor in 1979, All My Children’s Debbi Morgan was next in line. Her 1989 win, however, was shared. She won Image Awards in 2009 and 2010.

Yes, it would be fair to criticize the Image Awards for its obvious preference— Rowell has a whopping eleven wins including a few consecutive runs, St. John has ten, Shemar Moore has six, and Tatyana Ali has four. All My Children received love in the Best Actor category circa 2010, 2011, and 2012– likely because St. John wasn’t competing. Passions scored a win in 2007 for Tracey Ross (Eve Russell) and All My Children held back to back wins for Debbi Morgan’s return as Angie Baxter. 

The late Kristoff St. John won the first (1994) and the last (2014) honor in the category for portraying Neil Winters on The Young and the Restless (1991-2019).

There are only these categories per year. No supporting because quite frankly, that is the role most minorities are granted onscreen anyway— props to the leads. Still, plentiful performances were robbed of receiving recognition from that time forward including those who kept being nominated, favored for the aforementioned repeat winners. It’s on the same tier as so and so having five Best Lead trophies at the Daytime Emmys.

Currently, four soap operas are airing (Days of Our Lives is behind a paywall streaming service Peacock) until The Gates— the first primarily cast Black soap opera to air since Generations— will perhaps help boost up this dwindling genre. Although there’s no chance in heaven that the NAACP will resurrect this category, let’s look back on some who were nominated and never won versus the others coming up behind post removal.


Memorable Past Nominees

The late Kamar de los Reyes (featured in the In Memoriam segment) was nominated once for playing Antonio Vega on One Life to Live (1995-2009) and won an Alma Award in 2008. He guest starred on SEAL Team, Sleepy Hollow, The Rookie, and The Passage and films Love & Suicide and First Strike Butcher Knife. His last appearance was Coach Montes on All American and the upcoming Washington Black. 

Renee Elise Goldsberry was twice nominated for playing Evangeline Williamson on One Life to Life (2004-2007) and won a Soap Opera Digest Award for being in a lopsided love triangle. Since Goldsberry’s controversial end to the role, she’s won a Tony and Grammy and received nominations for a Critics Choice, Black Reel, and Primetime Emmy (a win here would make her an Oscar win away from EGOT status).

Retired actress Renée Jones was nominated five times for playing Stefano DiMera’s reformed daughter Lexie Carter on Days of Our Lives (1993-2012). She also played an earlier character, Nikki Wade on the soap in 1982.

Amelia Marshall was nominated three times for playing Belinda Jeffries on All My Children (1996-1999). She later moved onto the villainous Liz on Passions (2001-2004) only receiving a Soap Opera Digest nod. 

Karla Mosley was nominated once for playing Maya Avant Forester— the center of the most powerful Black story ever told on Bold and the Beautiful (2013-2019). Mosley has since starred and produced short films including the Wed-locked web series with Bold and the Beautiful and Guiding Light co-star Lawrence St. Victor.  

Peter Parros was nominated twice for playing Dr. Benjamin Harris on As the World Turns (1997-2009). Prior to, he held roles on One Life to Live and The Young and the Restless. He continues to guest star on various television series.   

Nathan Purdee— the original Nate Hastings on The Young and the Restless (1986-1993)— was nominated seven times as the District Attorney Hank Gannon on One Life to Live (1992-2009).

Timothy Stickney—a gifted thespian— was twice nominated for playing villain R. J. Gannon (Hank’s younger brother) on One Life to Live (1994-2009) and won a Soap Opera Digest Award for Outstanding Villain. Stickney has guest starred on various television series including Evil and Elementary and is a theatre practitioner.

Theatre actress Tamara Tunie was nominated twice for playing Attorney Jessica Griffin on As the World Turns (1987-1999). Tunie also played medical examiner Melinda Warner for twenty-one years on Law & Order SVU, worked with the phenomenal Denzel Washington twice (co-starred with him in Flight and co-starred in his directed Journal for Jordan). She has been received the Reel Sisters Trailblazer Award in 2017.

 

The trophy. 

The Never Will Be Nominated

Tabyana Ali currently plays the third Trina Robinson on General Hospital (2022-present) and there’s a lot of promise when the writers give Trina stories. Ali— a comedian— has guest starred on New Girl and the Horror Noire anthology. She wrote a short film screenplay Before it’s Too Late. 

Sean Blakemore, Daytime Emmy Award winner played Shawn Butler on General Hospital (2003-2022), first starting out as another character Chase Wright. Blackmore has since starred in many shows All Rise, Greenleaf, and Quad. He also co-starred with Shemar Moore in the scandalous x-rated drama Motives and the sequel in addition to S.W.A.T.

Tanya Boyd played Celeste Perrault, the sensuous oracle and sidekick to Stefano DiMera on Days of Our Lives (1994-2007). Boyd never fully received her props for bringing a Grace Jones like vibe to Salem. Meanwhile, she guest starred on many classic shows such as What’s Happening!!, Good Times, A Different World. She also directed two short films, Supremacy (2011) and Hold Up (2004). 

The late Sonya Eddy played the wise, scene-stealing Nurse Epiphany Johnson on General Hospital (2006-2022). Eddy guest-starred in various shows— Everybody Hates Chris, Black Jesus, The Black Lady Sketch Show, etc. She won a Daytime Emmy posthumously— from her first nomination. 

Jason George played the lovable doofus lifeguard Michael Bourne on Sunset Beach (1997-1999) and received a Daytime Emmy nomination. George has been seen on Girlfriends (Toe Sucking Charles is unforgettable, sorry), Eve, Roswell, and Half & Half. Currently, he stars on the Grey’s Anatomy spinoff Station 19. 

Even though most characters listed here are “goodie types,” Dominique Jennings deserved some recognition for playing the kooky Virginia Harrison on Sunset Beach (1997-1999). 

Napiera Groves as adult Bonnie McKechnie #1 on As the World Turns (2001-2004). Groves had a small part in Jordan Peale’s Us and directed/produced the full Kickstarter backed short film Aisle 2. 

Lauren B. Martin played breast cancer survivor Camille Bennett on As the World Turns (1998-2001). Martin also starred in other soaps: Another World, All My Children, and Guiding Light. Currently, she is an award-winning producer behind Anacostia, Asunder, and Reality Sets In and has several independent projects on the works. 

Sidney Mikaela, two-time Daytime Emmy nominee, played the second Trina Robinson on General Hospital (2019-2022). Mikaela is mostly remembered for playing a young Gabby Douglas in The Gabby Douglas Story and has lent her voice to animated series: Dew Drop Diaries, Fright Krewe, and Hailey’s On It! 

Mishael Morgan— first Black woman to win a leading actress in a Daytime Series Emmy and a femfilmrogue favorite— played Hilary Curtis and twin Amanda Sinclair on Young and the Restless (2013-2018 and 2019-2024 respectively). Morgan has starred in a few films and produced award nominated Sway. 

Sherri Saum played Vanessa Hart, the nosy, resourceful reporter on Sunset Beach (1997-1999) and the criminal sociology professor Keri Reynolds on One Life to Live (2001-2003). Saum starred in the hit ABC Family drama The Fosters and recently directed an episode of the spinoff Good Trouble. She also made appearances in How To Get Away With Murder, Girlfriends, and  Mrs. Davis.

Veronica Redd played the fabulous Mamie Johnson #2 off/on Young and the Restless (1990-1995, 1999-2004, 2023-present)— Jill Abbott’s best other nemesis next to the late Jeanne Cooper’s Katherine Chancellor. The first Black actor to receive a contract from The Young and the Restless, Redd also guest starred in various shows— Living Single, 227, The Jeffersons, and The Women of Brewster Place and films: The Five Heartbeats and Bluehill Avenue.